Wedgeworth explores the theory of gravitational pull between the celestial and the earthly and its influence on our relationships and behaviors through the creation of a new constellation and a re-imagining of masses of abnormal growth. She maps both historical and personal experiences on celestial bodies employing abstraction to activate the canvas with mark-making and the application of a reduced palette comprised of only black paint  to reference binary oppositions: light and dark, public and private, internal and external, lucid and mad, the beautiful and the abject.

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